Showing posts with label Boston MFA. Show all posts
Showing posts with label Boston MFA. Show all posts

Saturday, March 19, 2016

Where have I seen this before? #2

Constable on the wall of the
Boston MFA
In my first in the series "Where have I seen this before?" I wrote about mystery plots that had similar plots, that of murder within a group of tourists. Earlier this week I was visiting the Boston MFA, and while walking through the European Art gallery (2nd floor) I spied John Constable on the wall and thought instantly of Ngaio Marsh's Clutch of Constables that I had written about. Pondering the painting more I thought of all the novels I've read that have focused on art as their subject matter, and realized I could compose several blog posts for this series, but I'll start today with just one topic to focus on - smart, talented, young girl used by older guy.

The Art Forger by B.A. Shapiro tells the story of Claire Roth a fine arts graduate student who has fallen in love with her married painting professor and engages in a sexual relationship with him. Isaac Cullion is a modern abstract painter with a case of undiagnosed mental illness (bi-polar?) who has lost his groove, flow, muse, inspiration - you choose what to call it. Claire makes the mistake of trying to egg him on to create a piece of art for an exhibition by telling him they will do it together. She starts the canvas, he directs by instructing her how to use his techniques. A work of art is produced and Cullion signs his name. The critics come to view and are astounded. The MOMA acquires the painting and proudly displays it. Cullion says nothing, accepts the accolades, and then returns to his wife. Claire decides to speak up for her work, but only manages to turn the art world against her - she's the spurned mistress trying to get hers back on her lover.

Several years later, Aiden Markel, owner of a prestigious Boston art gallery comes looking for Claire.  Claire has been making a living working for a firm that specializes in making reproductions of famous paintings, let's be clear they are not being sold as the real thing. Claire it turns out is very good at her job. Markel brings her one of the stolen art works from the infamous Isabella Stewart Gardner Museum robbery for her to forge. His plan is to sell the forgery to a buyer and get the real thing back onto the museum wall. I'll let you imagine how well this will work out for Claire. Sorry no spoilers today.

Amy Gail Hansen chooses a different art form that of writing for her novel The Butterfly Sister. Ruby Rousseau a senior at a fictitious all girls college on the banks of one of the Great Lakes, makes the mistake of starting a romantic relationship with her married professor, the one who will be grading her senior essay. The first sign that things aren't going well is that her notes mysteriously disappear around the time that Ruby's lover admits to sharing some of her ideas in a talk he'd given at a conference (the one he didn't or wouldn't let her attend with him). Must keep our relationship a secret is his excuse. As the semester goes on, the professor starts to grow cool while Ruby works long hours on her thesis. The big day comes - he gives her a D on the paper, she finds him in bed with another woman, and driven to the brink she attempts suicide.

Ruby has withdrawn from school and is working on putting her life back together when she receives the suitcase of a missing fellow student. Looking through its contents she spies a clue that she holds onto before turning the suitcase over to the police who are looking for the missing girl. Ruby begins piecing together the facts that her beloved professor, for she's still stuck on him, is in fact a serial user of students both sexually and for their work. That's right, the man has stolen her brilliant senior thesis and published it as his own work. And she's not the first he has done this to. Read on for I will give no spoiler here today.

Point is both these novels deal with young women who trust the wrong man when it comes their creativity. The men use their work for their own gains whether it be for money, prestige, or job security. Both women never saw it coming that the men that they loved would steal their creations and pass them off as their own. Plagiarism is a huge crime on the intellectual level, but these men also committed the crime of psychological and emotional abuse by using a sexual relationship to get what they wanted. Both women were immature when it comes to relationships and they gave themselves whole-heartedly to these men. Their hearts were abused, as well as, their minds leaving them with the task of learning to trust again and hopefully to love again. But more importantly having the confidence to create again.

Hansen, Amy Gail. New York: HarperCollins Publishers, 2013. Print
Shapiro, B.A. Chapel Hill, NC: Algonquin Books of Chapel Hill, 2012. Print.

Sunday, September 27, 2015

Books - food for the soul

I am no where near finishing the current book I'm reading (G.M. Malliet's A Demon Summer), but I came across this quote that struck me to the core: Books are to the soul what food is to the body. Let the sister in charge of the scriptorium be alive to the rare sanctity of her duty. - The Rule of the Order of the Handmaids of St. Lucy (p. 120). Maillet has placed her character, Max Tudor former British spy turned vicar turned amateur sleuth, in a fictitious abbey run by the Order of the Handmaids of St. Lucy (also fictitious and not to be confused with the Liberal Catholic Order of St. Lucy). Max is making the rounds of the abbey meeting each of the sisters and learning about their role in the order. I haven't even read the chapter about the librarian from which the quote above heads, but the idea that books are food for the soul is such a powerful one I needed to stop and reflect on the thought.

Nourishing the soul can come in many forms I am learning. Just the other day while waiting with my mother for her most recent test results following her cancer treatments we went to the Boston MFA just blocks from the Dana Farber cancer center. There we immersed ourselves in the beauty of the American Impressionists. We spent a good hour and a half in just one particular gallery soaking up the color and emotions that the artists had expressed in their work. Scenes of nature - farmland, forest, seascapes, morning, noon, and sunset. Scenes of everyday life - dressing, caring for the home, children at play, the sharing of a cup of tea with a friend. Scenes of grandeur - city streets, the opera, the aristocracy dressed for coronation ceremonies. Each and every one food for the soul.

Yesterday afternoon working in the garden tending to the plants was another form of nourishment for my soul. I pruned plants whose blossoms are spent and foliage is withering. I transplanted day-lilies and irises to sunnier locations for next spring. I began the task of digging countless holes for spring blooming bulbs. The immediate results are an aching lower back, but the long term results will be the riotous colors I will enjoy from my favorite writing spot.

A good long walk can also be good for the soul. Time to contemplate life in rhythm to my steps and swinging arms. My breath finds a pattern to the motion. My eyes take in the beauty around me. I can either empty my mind of thoughts, or focus on them to find solutions. The endorphins do wonders for body and soul as well.

That brings me to books - the whole reason for this post. Over the course of my life books have been nourishment for my soul. I've lost myself in stories when I needed to escape from the challenges of my own. I've learned from textbooks and in return I teach others using them. I've gotten tips from self-help books on how to organize, exercise, meditate, or cook. I've found comfort and encouragement from books with spiritual or uplifting themes. Books have been there for me and will continue to be there for me to fill my soul. What a duty and gift it is to share books with others. It is one I take seriously.