![]() |
| Constable on the wall of the Boston MFA |
The Art Forger by B.A. Shapiro tells the story of Claire Roth a fine arts graduate student who has fallen in love with her married painting professor and engages in a sexual relationship with him. Isaac Cullion is a modern abstract painter with a case of undiagnosed mental illness (bi-polar?) who has lost his groove, flow, muse, inspiration - you choose what to call it. Claire makes the mistake of trying to egg him on to create a piece of art for an exhibition by telling him they will do it together. She starts the canvas, he directs by instructing her how to use his techniques. A work of art is produced and Cullion signs his name. The critics come to view and are astounded. The MOMA acquires the painting and proudly displays it. Cullion says nothing, accepts the accolades, and then returns to his wife. Claire decides to speak up for her work, but only manages to turn the art world against her - she's the spurned mistress trying to get hers back on her lover.
Several years later, Aiden Markel, owner of a prestigious Boston art gallery comes looking for Claire. Claire has been making a living working for a firm that specializes in making reproductions of famous paintings, let's be clear they are not being sold as the real thing. Claire it turns out is very good at her job. Markel brings her one of the stolen art works from the infamous Isabella Stewart Gardner Museum robbery for her to forge. His plan is to sell the forgery to a buyer and get the real thing back onto the museum wall. I'll let you imagine how well this will work out for Claire. Sorry no spoilers today.
Amy Gail Hansen chooses a different art form that of writing for her novel The Butterfly Sister. Ruby Rousseau a senior at a fictitious all girls college on the banks of one of the Great Lakes, makes the mistake of starting a romantic relationship with her married professor, the one who will be grading her senior essay. The first sign that things aren't going well is that her notes mysteriously disappear around the time that Ruby's lover admits to sharing some of her ideas in a talk he'd given at a conference (the one he didn't or wouldn't let her attend with him). Must keep our relationship a secret is his excuse. As the semester goes on, the professor starts to grow cool while Ruby works long hours on her thesis. The big day comes - he gives her a D on the paper, she finds him in bed with another woman, and driven to the brink she attempts suicide.
Ruby has withdrawn from school and is working on putting her life back together when she receives the suitcase of a missing fellow student. Looking through its contents she spies a clue that she holds onto before turning the suitcase over to the police who are looking for the missing girl. Ruby begins piecing together the facts that her beloved professor, for she's still stuck on him, is in fact a serial user of students both sexually and for their work. That's right, the man has stolen her brilliant senior thesis and published it as his own work. And she's not the first he has done this to. Read on for I will give no spoiler here today.
Point is both these novels deal with young women who trust the wrong man when it comes their creativity. The men use their work for their own gains whether it be for money, prestige, or job security. Both women never saw it coming that the men that they loved would steal their creations and pass them off as their own. Plagiarism is a huge crime on the intellectual level, but these men also committed the crime of psychological and emotional abuse by using a sexual relationship to get what they wanted. Both women were immature when it comes to relationships and they gave themselves whole-heartedly to these men. Their hearts were abused, as well as, their minds leaving them with the task of learning to trust again and hopefully to love again. But more importantly having the confidence to create again.
Hansen, Amy Gail. New York: HarperCollins Publishers, 2013. Print
Shapiro, B.A. Chapel Hill, NC: Algonquin Books of Chapel Hill, 2012. Print.
