Saturday, March 19, 2016

Where have I seen this before? #2

Constable on the wall of the
Boston MFA
In my first in the series "Where have I seen this before?" I wrote about mystery plots that had similar plots, that of murder within a group of tourists. Earlier this week I was visiting the Boston MFA, and while walking through the European Art gallery (2nd floor) I spied John Constable on the wall and thought instantly of Ngaio Marsh's Clutch of Constables that I had written about. Pondering the painting more I thought of all the novels I've read that have focused on art as their subject matter, and realized I could compose several blog posts for this series, but I'll start today with just one topic to focus on - smart, talented, young girl used by older guy.

The Art Forger by B.A. Shapiro tells the story of Claire Roth a fine arts graduate student who has fallen in love with her married painting professor and engages in a sexual relationship with him. Isaac Cullion is a modern abstract painter with a case of undiagnosed mental illness (bi-polar?) who has lost his groove, flow, muse, inspiration - you choose what to call it. Claire makes the mistake of trying to egg him on to create a piece of art for an exhibition by telling him they will do it together. She starts the canvas, he directs by instructing her how to use his techniques. A work of art is produced and Cullion signs his name. The critics come to view and are astounded. The MOMA acquires the painting and proudly displays it. Cullion says nothing, accepts the accolades, and then returns to his wife. Claire decides to speak up for her work, but only manages to turn the art world against her - she's the spurned mistress trying to get hers back on her lover.

Several years later, Aiden Markel, owner of a prestigious Boston art gallery comes looking for Claire.  Claire has been making a living working for a firm that specializes in making reproductions of famous paintings, let's be clear they are not being sold as the real thing. Claire it turns out is very good at her job. Markel brings her one of the stolen art works from the infamous Isabella Stewart Gardner Museum robbery for her to forge. His plan is to sell the forgery to a buyer and get the real thing back onto the museum wall. I'll let you imagine how well this will work out for Claire. Sorry no spoilers today.

Amy Gail Hansen chooses a different art form that of writing for her novel The Butterfly Sister. Ruby Rousseau a senior at a fictitious all girls college on the banks of one of the Great Lakes, makes the mistake of starting a romantic relationship with her married professor, the one who will be grading her senior essay. The first sign that things aren't going well is that her notes mysteriously disappear around the time that Ruby's lover admits to sharing some of her ideas in a talk he'd given at a conference (the one he didn't or wouldn't let her attend with him). Must keep our relationship a secret is his excuse. As the semester goes on, the professor starts to grow cool while Ruby works long hours on her thesis. The big day comes - he gives her a D on the paper, she finds him in bed with another woman, and driven to the brink she attempts suicide.

Ruby has withdrawn from school and is working on putting her life back together when she receives the suitcase of a missing fellow student. Looking through its contents she spies a clue that she holds onto before turning the suitcase over to the police who are looking for the missing girl. Ruby begins piecing together the facts that her beloved professor, for she's still stuck on him, is in fact a serial user of students both sexually and for their work. That's right, the man has stolen her brilliant senior thesis and published it as his own work. And she's not the first he has done this to. Read on for I will give no spoiler here today.

Point is both these novels deal with young women who trust the wrong man when it comes their creativity. The men use their work for their own gains whether it be for money, prestige, or job security. Both women never saw it coming that the men that they loved would steal their creations and pass them off as their own. Plagiarism is a huge crime on the intellectual level, but these men also committed the crime of psychological and emotional abuse by using a sexual relationship to get what they wanted. Both women were immature when it comes to relationships and they gave themselves whole-heartedly to these men. Their hearts were abused, as well as, their minds leaving them with the task of learning to trust again and hopefully to love again. But more importantly having the confidence to create again.

Hansen, Amy Gail. New York: HarperCollins Publishers, 2013. Print
Shapiro, B.A. Chapel Hill, NC: Algonquin Books of Chapel Hill, 2012. Print.

Saturday, March 12, 2016

Coffee and books - the elixirs of Life

How Starbucks Saved my Life
Michael Gates Gill
Picked up a memoir to read over my February break from school, Michael Gates Gill's How Starbucks Saved My Life: A son of privilege learns to live like everyone else.  Now first of all I must be honest, as a New Englander, if I buy coffee out (Yankee thrift means I brew my own at home) I tend to prefer Dunkin Doughnuts to Starbucks. There I said it. I'm sure that will lead to lots of controversy. Point is I don't think you have to be a coffee drinker to appreciate the lessons that Gill learned and shared in his honest account of putting together his life after being fired from his long-time, high flying, well paid job as an advertising executive; divorce from his wife of many years with whom he had four children, and fathering of a fifth child with a woman he'd had an affair with, which contributed to his divorce. Alone and broke he found himself in his local Starbucks being asked by a young African American woman if he was looking for a job. His answer was simple - yes.

Gill was the son of wealthy, well-connected parents. His memoir is sprinkled with names of the famous people he met through his parents, as well as, the people he met in his own professional life after having attended the right school (Yale) and getting the right job (hired by another alumnus). But it didn't matter who he knew on the day he realized that he'd really screwed up his life because those people were no longer able to offer him the assistance he most needed - a job. Now he was a man who needed income and health insurance benefits, especially after learning that he had a rare tumor that was impacting his hearing. So he started his new job at the bottom. Afraid of screwing up he accepted cleaning chores and found them to be concrete tasks that he felt confident of being able to successfully complete. His manager worked him slowly up the task that he feared the most - waiting on customers and running the cash register. Eventually he would find a niche serving as a coffee ambassador and to the most challenging of all - making of the espresso drinks.

With each new hurdle, Gill shared a memory about a similar challenge in his earlier life, or more like seeing the situation from the side he'd previously been on. Now he was the student,  the minority,  the employee, or the invisible. I read how he learned so many of life's many painful lessons late in life and how had he been open to these lessons earlier in his life how different it would have been. Lessons in how to be a better husband, father, mentor, or member of society.

Sometimes we need to lose everything in order to start fresh and learn a new way of living. Many a recovering addict (insert addiction type here) will tell you that they had to hit bottom before they could take on Step 1 (admitted I was powerless and my life was unmanageable) and start the long road back to sanity. But there are others who say that you can start changing your life no matter where you are on the road. Reading this memoir was a reminder that I don't need to wait for the bad times for me to tackle change in my life. Change can happen any time as long as we are open to the signs, the lessons, the teachers, and the desire.